VERC: Chairs, Scientists and Barneys Last edited 16 years ago2002-03-28 04:01:00 UTC by Penguinboy Penguinboy

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Note: This tutorial was originally written by Venomus (Link: , not Merl. All due credit goes to him, I'm just posting it here on his behalf.
From the title of this tutorial you will probably assume that I'm just going to
tell you how get scientists to sit in a chair. Getting scientist bums on seats,
so to speak, is a common query among mappers new to Half-Life, and it is not as
simple as it may sound (there are a few pitfalls you should be aware of). Even
so, it is quite easy as a tutorial. What I will show you afterwards is a little
more complex and interesting: a rather cool setpiece in which a barney sits in
his swivelling chair, occasionally rotating fluidly in it. You may remember it
from the beginning of Half-Life (just after you finish the train ride).

Throughout these tutorials you may notice me paying an obsessive amount of
attention to unit-precise placement of entities and brushes. This is necessary to
avoid your scientists and barneys ending up stupidly embedded in the

1.) As promised, I will first just show you how to make scientists simply sit in
chairs, industriously typing away or something. First make yourself a nice chair.
99% of the time this seems to be the 'Chair, black' prefab in the 'random
objects' prefab library of WorldCraft. This is all right for some themes, but
remember you can always make your own chair! If you want a scientists feet to
rest on the floor and his arse to be firmly planted on the seat, make the top of
the seat (ie: the surface that you would sit on) 18 units above the floor. The
'Chair, black' prefab is 22 units from bottom to top of seat, but its only worth
shortening if you are really pedantic!

2.) Now we will create the scientist who sits in the chair. There are two ways of
doing this. One is to use the convenient monster_sitting_scientist (Link: entity('monster_sitting_scientist')) . The other is
to use a scripted_sequence (Link: entity('scripted_sequence')) and an ordinary monster_scientist (Link: entity('monster_scientist')) . A
monster_sitting_scientist will cycle randomly through about 3 sitting animations
in which he types, looks thoughtful and is generally hard at work. This is
probably what you will want most of the time. The scientist model has only one
other sitting animation, in which he is supposedly drinking coffee. If you wanted
a scientist to play this animation you would use a scripted_sequence and

When using the monster_sitting_scientist for the first time, the main cause of
frustration is that the origins of his sitting animations are screwed up. Besides
this, they seem to sink through brush entities. This usually causes the sitting
scientist to end up half buried in the floor, even after many futile attempts to
shift the chair a bit, move the scientist higher up etc.

To stop this happening, we will use a small clip brush, taking care in its
placement and that of the scientist. First place the chair where you want it and
turn it into a func_wall (Link: entity('func_wall')) . This is not always necessary but saves us time and
patience because the scientist will not get stuck on it where we don't want him
to. Create a monster_sitting_scientist and place him high enough above the chair
to be clear of it. Now move him so that the edge of his bounding box is in line
with the edge of the seat (see screenshot).

Now for the clip brush. Create a brush in the shape of a small cube or similar
(eg: 4x4x4) and cover it with the CLIP texture. This will make the brush
invisible in-game, but it will however block the monster_sitting_scientist so
that he rests on the clip brush. Make sure you leave the clip brush as a world
brush (ie: don't make it an entity). Move the clip brush so that its upper
surface is exactly 16 units above the upper surface of the seat. Any higher and
the scientist will float slightly above his seat, any lower and the scientist
will be more noticeably buried in the seat (he will already be slightly buried).
Check that the monster_sitting_scientist is facing the right direction, if not
adjust his Pitch Yaw Roll (angles) accordingly. Then you are done! The screenshot
below shows more clearly what I have said:
3.) If you want a scientist to sit with one of the animations not shown in a
monster_sitting_scientist, you will need a monster_scientist in combination with
a scripted_sequence. First create a monster_scientist and place him out of the
way, it does not matter where but the player should preferably not be able to see
him when the map loads. Give him a Name (targetname) such as sitting_scientist
(it's late and I'm tired :) .

Create a scripted_sequence and place it so that the edge of its bounding box is
in line with the edge of the seat (see screenshot). The animation 'coffee' does
not have its origin displaced like the other sitting animations. This makes
things somewhat simpler. Place the scripted_sequence so that the center of its
bounding box is exactly 20 units above the upper surface of the seat (see
Give the scripted_sequence the following keyvalues: target monster_scientist, in this case sitting_scientist probably 'coffee' (see note below) monster_scientist too far from the scripted_sequence, so that it is
within, say 512 units. But if you have to place it further away then
increase this accordingly to face when he is sitting down. In Worldcraft you can also set this with
the 'compass'.

Finally, tick the No Interruptions spawnflag. This will prevent the whole thing
being borked when an evil player sets a crowbar to the poor scientists head

Note on the animations: As I have said, the only sitting animation of the
scientist model besides those used by the monster_sitting_scientist (and a couple
of turning animations which would look stupid looped) is the one named 'coffee'.
But if you apply one of the monster_sitting_scientist animations (eg:
'sitscared', 'sitting2', 'sitting3') to the scripted_sequence, you will get a
different effect from just simply having used a monster_sitting_scientist. Unlike
'coffee' these animations are not looped, so the animations will play once and
then get 'frozen' on the last frame. This looks slightly wierd close up to see a
scientist not even breathing, but these poses might add interest and variety, so
it might be worth it, from a distance anyway. Anything else I should mention? Oh
yeah, if you have added your own sitting animations to the scientist model, you
could have them play with the scripted sequence, but then you probably don't need
telling anyway.

4.) Well by now you should be an expert on adding sitting scientists to your map,
so I will move on to barneys. The only sitting animation which the barney model
has is the one named 'sit1'. This is the one we will be using to create our
sitting, rotating barney.

What we are going to create is a setpiece which utilises an animation that has
been precisely choreographed to fit into a particular area in the original game
(its near the beginning). You don't have to recreate this exact area when you
include the rotating barney in your map, but it will have to fit the animation.
So its probably not going to be vastly different after all.

5.) First I will describe the animation in detail. Our barney will be rotating 90
degrees anticlockwise and back again (from the direction you specify in a
scripted_sequence). During the part of his animation in which he is facing the
direction you specify, he is reading a book in front of him (well thats the idea,
anyway). After rotating 90 degrees anticlockwise he does some typing on a
keyboard. Try to picture this in the area of your map in which you want the
setpiece to occur. You must decide on the direction in which you want the
setpiece to be orientated, (eg: does the barney move from facing North to facing
West and back again, or from facing South to facing East and back again). You can
then get on with creating the surrounding brushwork to which the animation has
been choreographed.

6.) Its time to create the chair. If you want the barneys feet to rest on the
floor as he sits, it should be 22 units between the top of the surface he will
sit on and the floor on which his feet will rest. The 'Chair, black' prefab,
seems to have been optimised for barneys in this respect, fitting this dimension
exactly. The chair is going to be a rotating entity (func_door_rotating) and for
this reason it is going to need an origin brush. This is a small brush which you
incorporate into the chair. It is covered completely with the ORIGIN texture, and
is invisible in game. However, its position, (or rather the position of its
centre) will tell the game which part of the chair the axis of rotation should
pass through. In our case this is the 'stem' of the chair, (see next

You should build (or rotate) the chair so that, in your map editor it faces the
direction in which the barney will face after he has rotated 90 degrees
anticlockwise, (if you are confused, see the next screenshot and the diagram at
the very bottom of this tutorial).

When you have finished creating the chair, select the part of the chair which you
want to rotate, (for example, you may want to not select the base of the chair).
Make sure you include the origin brush in your selection. Then turn your
selection into a func_door_rotating.

Now for the surrounding furniture in which he is working. If you were paying
attention to my description of the animation, you will know that some sort of
keyboard may be required which should be in front of the barney after he has
rotated 90 degrees anticlockwise (alternatively you could attach the keyboard to
the rotating chair). Give our barney ample legroom to rotate.
Give the func_door_rotating chair the following keyvalues: you name it anything else, the func_door_rotating chair will not rotate
with the barney. This is because it is the barneys animation that calls
introchair on the frames in which he begins to rotate. We are not going
to be calling the chair to rotate with other entities rotate unless called to synchronised with that of the barney

In addition to these keyvalues, tick the Passable and Toggle spawnflags. The
first of these spawnflags makes the chair non-solid. This is necessary to avoid
it getting stuck on things and messing up the synchronisation of its rotation
with that of the barney.

7.) Create a monster_barney and place him in the vicinity of the chair. Again,
you probably don't want the player to be able to see him just after the map loads
or the player might see the barney flash spookily for a second before he is
teleported to his scripted_sequence. Give the barney a Name (targetname) of
something like sitting_barney.

8.) Create a scripted_sequence. I will deal with its positioning in a minute (it's
weird, I can tell you). Give the scripted_sequence the following keyvalues: target monster_barney, in this case sitting_barney which is 'sit1' monster_barney too far from the scripted_sequence, so that it is within,
say 512 units. But if you have to place it further away then increase
this accordingly face (before he rotates 90 degrees anticlockwise). This direction should
be 90 degrees clockwise from the direction the chair is facing in your
map editor. In Worldcraft you can set this direction with the 'compass'.

Also, tick the No Interruptions spawnflag.

9.) Now its time to position the scripted_sequence. In this case a picture really
is worth a thousand words, hence the diagram. This diagram should tell you
everything you need to know about the relative positioning of the
func_door_rotating (chair) and the scripted_sequence, apart from the vertical
separation of the two entities. This I will tell you now. The lower edge of the
scripted_sequence bounding box should be 14 units above the upper surface of the
Once you have got that, you are sorted!

If you browse through the animations of many of the models in the Half-Life pak
file (use a model viewer like
Half-Life Model Viewer (Link: index.html) ),
you will notice many long
'choreographed' animations. The one we have just added is an example. Others
include dives through windows, rolls and other action-packed stunts. Some are
part of coordinated sets of animations from different monsters (the zombie
dragging two victims is one cool example!) All require precise positioning and
careful construction of the 'set', but if done well give amazing results!
This article was originally published on the Valve Editing Resource Collective (VERC).
TWHL only archives articles from defunct websites. For more information on TWHL's archiving efforts, please visit the TWHL Archiving Project page.


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